Janet Kaylo, MA, CMA, RSMT, SrDMP, R-MPA
LSSI Founder and Director
Janet has worked professionally as a Certified Movement Analyst for over 25 years. She is also a Registered Somatic Movement Therapist (ISMETA), a Senior Registered Dance Movement Psychotherapist (ADMP, UK), and a Registered Movement Pattern Analyst (Warren Lamb Trust).
In the last 38 years, she has performed as a featured dancer with several NYC dance companies, including Bhaskar Dances of India, Sophie Maslow Dance Company, Daniel Maloney and Dancers, and Rhythm and Visions of India; and has choreographed, directed, trained dancers and dance movement therapists and designed professional training and degree programs at undergraduate and Master’s level internationally. She has presented workshops, annual training and master classes throughout Great Britain, Europe, the US, Canada, and in India. Read more.
Nadine Saxton, MA, CMA, RSMT, CST, Dip. Psych
Nadine holds an MA in Dance from York University, and completed her CMA training in Montreal at UQAM under the direction of Peter Madden (with Janet Kaylo) in 1996. She trained in Labanotation at University of Waterloo and at Ohio State University, including drafting the full score of Anna Blewchamps reconstruction of Gweneth Lloyd’s “The Wise Virgins”. She is co-author of the book “Toronto Dance Theatre 1968-1998 Stages in a Journey”. She was faculty at York University, Toronto, for over ten years, teaching Labanotation, Movement Analysis, Ballet, and Movement for non-dance majors.
Nadine is a registered Somatic Movement Therapist with ISMETA, and a Certified CranioSacral therapist with advanced standing in the Upledger Institute training. She continues to work annually as a Certified Teaching Assistant with the Upledger Institute.
Nadine holds a Diploma in Existential Integrative Psychotherapy, and maintains a busy private practice as a Somatic Psychotherapist where she offers a uniquely personalized approach utilizing CranioSacral therapy, movement analysis, and psychotherapy. Her current research involves applying somatic work to facilitate the healing of trauma, and teaching of empathy through kinesthetic attunement for psychotherapists.
Nadine has been core faculty for Laban/Bartenieff and Somatic Studies International (LSSI) since its inception, including the first Certificate program at York University directed by Janet Kaylo.
Nadine runs regular workshops in Toronto in Laban Movement Analysis, Bartenieff Fundamentals, and Experiential Anatomy. She designed the first Experiential Anatomy Course at Ryerson University, and continues to break ground cross-fertilizing Laban/Bartenieff Movement Analysis with theatre training, ice-skating, Pilates, yoga and psychotherapy.
She has presented at the annual Yoga Conference on Developmental Movement and Yoga, Organ Support for Movement, Introduction to Somatics, and CranioSacral Therapy techniques for Yoga Instructors. She presented Shape Flow Breath Support for movement at the Healthy Dancer Conference in October 2013. Nadine blogs regularly on the topic of embodied living and is conducting research for a book on Somatics.
Donna Redlick, MA, CMA, RSME
Donna Redlick holds an MA in Dance Creative Practice, with a focus on Somatic Studies, from Trinity Laban Conservatoire of Music and Dance, London, UK. Her thesis research, focused on sensing in performance and a post-structural approach to dance, was presented at the Somatic Dance Conference in Brockport, New York, summer 2013. She works as a contemporary dance choreographer, dance educator, and Certified Movement Analyst (CMA), and Somatic Movement Educator in Vancouver, B.C. She is a graduate of the first Toronto LIMS®-endorsed CMA program, hosted by York University, under the direction of Janet Kaylo. Donna also holds a Diploma in Dance Teacher Training from Grant MacEwan College of Fine Arts and a Bachelor of Arts in Sociology from the University of Saskatchewan.
Donna became core faculty for LSSI’s CMA program in the Vancouver, BC program in 2008. She has over 25 years of teaching experience that include 24 years at the Shadbolt Centre for the Arts (SCA), where she was Artistic Advisor for the dance program, Artistic Director of Continuum Dance Company (which she founded as a venue for adults returning to dance) and Artistic Director for the Youth In Motion Dance Company. At SCA, Donna designed modern dance curricula for youth, developing a thriving creative dance program for children and young people. She has also taught for the MainDance Bridging Program, as an artist in residence for the Vancouver School Board, and as a professional development teacher for a various school boards in the lower mainland area. She currently teaches as a sessional instructor for Simon Fraser University at the School of Contemporary Arts.
As an independent choreographer, Donna has presented in numerous venues and festivals. In 1998 she formed her own company, Donna Redlick Dance and in 2004 presented her first full length show “(re)calling memory”. Her piece “Sometimes it never leaves your skin” was presented in London, UK at the Open Space International Workshop Festival in 2008. “The Space Between”, presented at the Dancing on the Edge Festival in 2011, was described by writer and reviewer Kaija Pepper as ‘dance as philosophical speculation’. Donna’s current project “Body as Site”, in collaboration with architect Rui Nunes, involves dance and installation as a performance event created for gallery spaces and open spaces. She is a grant recipient from both the Canada Council and the BC Arts Council.
In addition to teaching for LSSI on European programs, currently Donna is freelancing in the Vancouver area, offering individual somatic sessions, classes in contemporary dance, and workshops in dance education. She runs Introductory, pre-requisite Courses for Certificate training in Laban Movement Analysis and Somatic Practice, and works as a Movement Specialist in her private studio, coaching and assisting dancers to find full body integration and personal movement expression.
Charlotte is an independent dance artist and teacher, and co-artistic director of Candoco Dance Company, UK. She was a Dance Lecturer on the BA (Hons) Dance Theatre Programme at Trinity Laban from 2000-2011, teaching Experiential Anatomy into Contemporary Technique, Choreography and Performance. She was also Component Leader for these subjects. She supervises BA and MA dissertations at Trinity Laban and London School of Contemporary Dance, where she designed and led a 3rd year elective: ‘Investigating Inclusive Practice’; and 2nd year ‘Fundamental Teaching Practice’. She is involved in on-going practical research into inclusive and creative approaches to dance practice for disabled and non-disabled students, and has led related teacher-training workshops and lectures.
Charlotte was a founding member of CandoCo Dance Company, touring and teaching internationally from 1994-1999. She performed works by Siobhan Davies, Emilyn Cloid, Adam Benjamin, Guilherme Bothelo of Compagnie Alias, Annabel Arden and Jos Houben of Theatre du Complicite and was instrumental in the development of their integrated Education Programme. Charlotte became co-Artistic Director of CandoCo in 2017.
Charlotte has also performed for Ricochet Dance Productions, Carol Brown, Aletta Collins, Company Q, Company Pyke and Dog Kennel Hill Project. She makes her own work including dance for camera. She was Assistant Choreographer on Alison Murry’s feature film, ‘Mouth to Mouth’ and won an award at The Place for her first short film: ‘Taut’, commissioned by Channel 4, 2001.
Charlotte trained with with Linda Hartley in ‘Integrative Bodywork and Movement Therapy’ an ISMETA-approved programme, and is working with Deborah Hay, on the performance of ‘At Once’ – the Deborah Hay Solo Commissioning Project. In 2014 she co-created and performed a duet with Henrietta Hal (ofDog Kennel Hill Project) for Matthew Darbyshire’s solo show/installation for Shipley Art Gallery, in Gateshead and Bloomberg Gallery, London. Charlotte is the UK ‘mentor’ for IDOCDE (International Documentation of Contemporary Dance Education), whose aim is to document best practice of contemporary dance education and to make it more available, as a tool for dance educators, and as a database for research via the IDOCDE website. She is founding and practicing member of La Traversee in northern France.
Amy Voris is a dance-maker based in Manchester, UK. Her practice is process-oriented and collaborative, driven by the desire to develop enduring relationships with people and with movement material. The outcome of the work is contingent on hunches and interactions that occur during the process and varies widely. Examples of current projects include a site-responsive project (enter inhabit), a collaboration with a jewellery maker (flockOmania) and a collaboration with three Northwest artists exploring artist-led curation for experimental performance practices (Accumulations). In 2012, Amy completed training in Integrative Bodywork and Movement Therapy with Linda Hartley, a therapeutic approach to the body which also underlies her holistic and enquiring attitude toward making movement. Her doctoral research is investigating the process of forming, returning to, and deepening the relationship with movement material over an extended period of time. Alongside her studio practice, Amy has worked in higher education since 1999 delivering a range of dance-related subjects within conservatoire and university settings. Current teaching engagements include workshop delivery and project supervision on the MA in Creative Practice (Independent Dance/Trinity Laban) and MA in Dance and Somatic Wellbeing (University of Central Lancashire) and delivery of experiential anatomy and Authentic Movement on Janet Kaylo’s Laban/Barteneiff Somatic Studies International CMA-SP training program. With choreographer Ruth Segalis and performer Natasha Gilmore, Amy was a founding member of Rose’s Thoughts Dance Company (London, 1996-2003).
Former Program Faculty and Guests include:
- Trisha Bauman
- Leslie Bishko
- Susan Cash
- Hana Kamea
- Warren Lamb
- Amy Matthews
- Beverly Stokes